A film about place and memory, a farmhouse in Japan, and the lives of the people who called it home.
A beautiful short film about John Roderick, an Associated Press reporter in Japan, and his discovery of an old farmhouse in Japan. He and his adopted son Yoshihiro Takishita, an architect and antique dealer, transported and restored the farmhouse in a suburb of Tokyo. Shot just a month after the death of Roderick, the film looks at the memories within the walls of the minka farmhouse (via Ignant).
I’m experiencing a renewed appreciation for the work of Japanese graphic designer Ikko Tanaka after discovering a brochure from the 2007 ‘Printed in Japan’ exhibition at the temporary Stedelijk Museum.
Shinsekai toumei hyouhon (new world transparent specimen). Amazing images of preserved and stained specimen by Japanese artist and lifetime fisherman, Iori Tomita. iPad app here (via spaceships)
I love the quiet routine of the morning time. Discovering Japanese photographer Nanako Koyama and her project Every Morning (via oh, hello there), I was curious to know more about her visual exploration into people and their mornings. Here, a few questions I posed to Nanako:
Why did you choose to explore the connection between people and mornings?
Nanako Koyama: Well, I grew an interest in exploring that which makes someone an individual―like the series ‘5 Stories About Rooms’―this was about exploring peoples’ individualities and idiosyncrasies as well, in a way. Anyway, I was thinking that the moments before breakfast illuminate a person’s real personality, or parts of it. When eating breakfast, one’s brain finally becomes activated. To put it the other way around, before eating breakfast your brain is still kind of asleep and it feels like this is the only waking moment when you’re not really in control of yourself. I just thought this “being yourself” in the morning would be interesting to explore. This is why I chose breakfast as my subject.
I wrote a postscript in Japanese but I’m still working on an English version. I’ll post it as soon as possible too.
How do you approach the people in your photography? Do you know them personally or do you work with people unknown?
Nanako Koyama: For this series I asked my friends if they would let me take their photos. Most of the time I take photos of people I know. I like to take photos after I’ve thought hard about the concept and composition. I do sometimes take photos of strangers. Even though I like to think about concepts or composition though, I mostly take ‘snap shot’ style photographs.
What was something you learned about people during this project?
Nanako Koyama: At first I thought that as the country changes, the culture and people would change along with it to some degree. Because of this I was thinking about exploring a photo series about the differences between people. When I was actually taking photos though, I realized that the differences between countries are very confused and whilst different there were a lot of cultural similarities between the countries, especially in regards to breakfast time. Even now, with national boundaries swept away, these people―my friends―have their own cultural differences and these helped form their individualities. This is what I learned from this series.
Are you still working on the project?
Nanako Koyama: I’m currently working as a studio assistant at the moment and so unfortunately I have little time to travel, however I would like to visit America or some other places where I’ve never been before in the future with this project in mind. So, yes, I can say I’m still working on it.
All photos used with permission from the photographer.
Beautiful. The Sensing Nature exhibition by Tokujin Yoshioka at the Mori Art Museum in Tokyo (via 11.54)
“A sudden minor shock or meaningless/meaningful interruption…here is a blip of the land of the rising sun.” Beautiful video by Nathan Miller and Matthew Brown with fantastic editing (via we are the digital kids).
This video by Vincente + Sara of the streets of Tokyo is serene, lovely and full of slow movement. It makes me want to visit again, to see again the small things hidden within the bustling city. But I actually debated whether to post this video because it’s essentially a promotion for Zara, which was one big chaotic mess last time I was there. Here’s to the hope that good advertising erases a blah experiences (via GOOD).