Tag Archives: production

out of sight

The last month has found me in the midst of a major content production period at work and the heat is on until the moment I board a plane to Seattle tomorrow.

For those who don’t know, my job involves creating and publishing online content related to photojournalism. The last weeks have been filled with interviews, editorial work, website updates, multimedia productions, and an abundance of photography and photographers. It’s an exciting time, but has required all my focus – the reason why things have been a bit quiet around small sight.

So, it’s time for an update. On Saturday, we launched an iPad app. A colleague and I have spent a few months together working on the photo app with a team of developers and I was thrilled when it went out into the world. Last weekend marked the annual Awards Days where photographers from around the world gather in Amsterdam. This year there was a lot of talk around our new multimedia contest and the announcement of winners. In between moments of watching photographers present their work and screening multimedia productions, I was heading up the production team that interviewed 20 photographers about their work. In between all that, I sat down with Nancy Donaldson, a multimedia producer at The New York Times, to talk about multimedia. Interview coming soon.

The real work has centered around the new website that we hoped would go online about now. A number of development delays have come up, but it does deserve a post of its own. For now, I am off across the ocean in the morning, but I will leave you with a recommendation to enjoy the stories of the photographers and view these impressive multimedia productions.

(photo via).

The Jazz Loft Project

The Jazz Loft Project is an archive project profiled in a multimedia production from The New York Times. The production features photography and audio content from the archive of W. Eugene Smith, captured from the unique perspective of his loft building (via Micha).

From 1957 to 1965, the photographer W. Eugene Smith exposed 1,447 rolls of film to record the goings-on inside his loft building, as well as scenes from street life visible from his windows. He also made 4,000 hours of audio recordings that captured random conversations, phone calls, radio programs and, above all, many legendary musicians of the day, who came to the building to hang out, rehearse and jam.